Przepływający Rytm celu istnienia, 170 x 220 cm, mixed media on cotton canvas, 2023_Easy-Resize.com

Flow

The cycle initiated in 2024 explores the coexistence and continuous flow between being and the world. The works engage in a reflection on the relational nature of existence, revealing life as a network of mutual interactions and flows.
Przepływający Rytm celu istnienia, 170 x 220 cm, mixed media on cotton canvas, 2023_Easy-Resize.com

All in tears

Initiated in 2022, this series explores humanity’s inability to coexist in harmony. It depicts a world marked by the dominance of violence over compassion — a visual confrontation with the helplessness we feel in the face of eroding universal values.

swimmers-150-240-mixed-media-on-cotton-canvas-2023-Agata-Zychlinska_Easy-Resize.com

Fangs and Claws

Created between 2020 and 2023, these works use anthropomorphism and allegory to tell stories full of symbols and unspoken meanings. Fairy tale-like characters intertwine with pulsating lines, forming a narrative about coexistence, transformation, and the intuitive reading of reality.

swimmers-150-240-mixed-media-on-cotton-canvas-2023-Agata-Zychlinska_Easy-Resize.com

Communication

The series focuses on nonverbal gestures and postures that shape relationships between humans and other species. Observing emotional reactions and nonverbal signals gives rise to intuitive narratives about how humans and other species can coexist and communicate without words.

Reconstructions of Everyday Life

This collection, developed between 2013 and 2018, explores the complexities of human communication. It highlights how body language, gestures, and other nonverbal signals shape our interactions and convey meaning. The project stems from personal experience and observations of relational dynamics.

Drawing

Quick, reportage-style sketches made from a need to capture fleeting moments and daily observations. Collected like memories, each drawing is a personal record of transience, comedy, grotesque, or drama — expressed with just a few lines.

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